THE IMAGE OF A DANCING GOD:

SHIVA, THE DIVINE DANCER, IN THE COLLECTION OF THE INDIA NATIONAL MUSEUM

Abstract

The study of Imagery, specifically religious sculptures, within the scope of a social historiography of Art and Culture, in addition to its uses in classroom focused on Teaching Practices and Material Culture, is expanding under the light of developments across various fields of knowledge. Among Asian iconographies, within the realm of Indian Art, are the representations of Shiva, one of the most important Hindu deities. In his “Nataraja” aspect, the dancing god is among the most emblematic images in Indian cultures. Although originating from millennia-old religions, historically linked to the Indus Valley Civilization, Shiva's figures have transcended centuries and circulate beyond religion, appearing in philosophical, anthropological, artistic, and literary contexts. This article examines the historical foundations that gave rise to the deity, represented in the image of the dancing god, and related productions, located in the collection of the National Museum of India in Delhi. Additionally, it proposes, as an educational contribution, a reflection on the dialogues between art and otherness, valuing interreligious dialogue and iconographic research.