{"id":4411,"date":"2022-02-18T14:29:06","date_gmt":"2022-02-18T17:29:06","guid":{"rendered":"https:\/\/www.eba.ufmg.br\/nossa-escola\/?p=4411"},"modified":"2022-03-18T12:03:00","modified_gmt":"2022-03-18T15:03:00","slug":"exposicao-entrevizinhancas","status":"publish","type":"post","link":"https:\/\/www.eba.ufmg.br\/index.php\/exposicao-entrevizinhancas\/2022\/02\/","title":{"rendered":"Exposi\u00e7\u00e3o &#8220;ENTREVIZINHAN\u00c7AS&#8221;"},"content":{"rendered":"<p><a href=\"https:\/\/bityli.com\/TIgDE\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4412 size-large\" src=\"https:\/\/www.eba.ufmg.br\/\/wp-content\/uploads\/2022\/02\/Convite-Exposi\u00e7\u00e3o-ENTREVIZINHAN\u00c7AS4-853x1024.png\" alt=\"\" width=\"720\" height=\"864\" srcset=\"https:\/\/www.eba.ufmg.br\/wp-content\/uploads\/2022\/02\/Convite-Exposi\u00e7\u00e3o-ENTREVIZINHAN\u00c7AS4-853x1024.png 853w, https:\/\/www.eba.ufmg.br\/wp-content\/uploads\/2022\/02\/Convite-Exposi\u00e7\u00e3o-ENTREVIZINHAN\u00c7AS4-250x300.png 250w, https:\/\/www.eba.ufmg.br\/wp-content\/uploads\/2022\/02\/Convite-Exposi\u00e7\u00e3o-ENTREVIZINHAN\u00c7AS4-768x922.png 768w, https:\/\/www.eba.ufmg.br\/wp-content\/uploads\/2022\/02\/Convite-Exposi\u00e7\u00e3o-ENTREVIZINHAN\u00c7AS4.png 1500w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<div>\n<div class=\"gmail-OutlineElement gmail-Ltr gmail-SCXW54740097 gmail-BCX8\">\n<p class=\"gmail-Paragraph gmail-SCXW54740097 gmail-BCX8\"><i><span class=\"gmail-TextRun gmail-SCXW54740097 gmail-BCX8\" lang=\"PT-BR\"><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Falar em <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">v<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">izinhan\u00e7as \u00e9 pensar em um sentimento de comunidade \u2013 como \u00e9 a Escola de Belas Artes da UFMG \u2013 <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">n<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">a<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> qual as rela\u00e7\u00f5es abarcam proximidade, familiaridade, mas tamb\u00e9m diferen\u00e7a. Isso se traduz no t\u00edtulo \u2013 <\/span><\/span><span class=\"gmail-TextRun gmail-SCXW54740097 gmail-BCX8\" lang=\"PT-BR\"><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Entrevizinhan\u00e7as<\/span><\/span><span class=\"gmail-TextRun gmail-SCXW54740097 gmail-BCX8\" lang=\"PT-BR\"><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> \u2013, um jogo de palavras com o estar perto e o convite a entrar,<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> assim como nos diversos la\u00e7os estabelecidos por alguns trabalhos entr<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">e si. <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Estes la\u00e7os s\u00e3o<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> percept\u00edveis <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">em<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Alice Barcelos, <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Iwens<\/span> <span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Mulellos<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> e <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Josimar<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Fortunato que<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">,<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> partindo de uma linguagem comum (a pintura)<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">,<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> exploram temas diferentes, como a paisagem industrial, a paisagem urbana e a dualidade do indiv\u00edduo. <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">O corpo <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">\u00e9 alvo de diferentes respostas: em <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Jhefferson<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Lacerda, ele traz uma carga moral e mitol\u00f3gica; <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Sonia <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Burgareli<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> cria esculturas vestidas pelo corpo; <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">para<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Heitor Fernandes ele<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> se atrela a<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> rela\u00e7\u00f5es afetivas<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, traduzidas nas sutilezas de <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">vela<\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">t<\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">uras<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">; mas por ele tamb\u00e9m<\/span> <span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">se <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">problematiza a<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> con<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">stru\u00e7\u00e3o de normatividades<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> e estere\u00f3tipos<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, como aponta Marcela Paim<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, trazendo dois modos diferentes de apontar para a invisibilidade e desapari\u00e7\u00e3o<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">. O trabalho dela, ali\u00e1s, <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">traz<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> o car\u00e1ter pol\u00edtico tamb\u00e9m colocado por Matheus Silva, J\u00falia Santana e Clara Bicalho, discutido a partir da cena <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">social do presente<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, do espa\u00e7o urbano e <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">d<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">a met\u00e1fora da produtividade dentro do capitalismo. <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">A quest\u00e3o gr\u00e1fica, linguagem desses trabalhos, \u00e9 o meio escolhido por Alice <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Massago<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, em s\u00e9ries nas <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">qua<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">is<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> o lirismo on\u00edrico \u00e9 atravessado pela melancolia. <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Assentados em extremos \u2013 o elogio da manualidade e sua sobreposi\u00e7\u00e3o ao virtual \u2013 s\u00e3o quest\u00f5es notadas, respectivamente, nos objetos de <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">Lucianita<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Morais e Eduardo Zica. <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">O lar, cuja nega\u00e7\u00e3o ao seu direito <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">\u00e9 tensionada por J\u00falia Santana, surge no trabalho de <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Amanda<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Paim<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> como um<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">a<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> quest\u00e3o de representa\u00e7\u00e3o e mem\u00f3ria interligadas<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">,<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> que encontrar\u00e1 nas montagens de<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> Victoria Sofia<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> um sentido narrativo<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">, desdobrado<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> em seu livro de artista.<\/span><\/span><span class=\"gmail-EOP gmail-SCXW54740097 gmail-BCX8\">\u00a0<\/span><\/i><\/p>\n<\/div>\n<div class=\"gmail-OutlineElement gmail-Ltr gmail-SCXW54740097 gmail-BCX8\">\n<p class=\"gmail-Paragraph gmail-SCXW54740097 gmail-BCX8\"><i><span class=\"gmail-TextRun gmail-SCXW54740097 gmail-BCX8\" lang=\"PT-BR\"><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">Essa exposi\u00e7\u00e3o, reunindo as obras da turma de <\/span><span class=\"gmail-NormalTextRun gmail-SpellingErrorV2 gmail-SCXW54740097 gmail-BCX8\">formandes<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\"> de 2021-2 \u00e9 um <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">importante marco: conclui uma trajet\u00f3ria que enfrentou desafios <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">n<\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">os \u00faltimos dois anos, nos quais viver a vizinhan\u00e7a foi muitas vezes uma impossibilidade; mas tamb\u00e9m \u00e9 o registro de conquistas, descobertas e percursos <\/span><span class=\"gmail-NormalTextRun gmail-SCXW54740097 gmail-BCX8\">desejosos de novos futuros.<\/span><\/span><span class=\"gmail-EOP gmail-SCXW54740097 gmail-BCX8\">\u00a0 [Texto do Prof. Guilherme Bueno, membro da equipe da Labirinto Galeria Virtual] <\/span><\/i><\/p>\n<\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">O site da Labirinto est\u00e1 dispon\u00edvel para visualiza\u00e7\u00e3o, e a exposi\u00e7\u00e3o virtual \u201cEntrevizinhan\u00e7as\u201d, dos formandes 2021\/2, estar\u00e1 acess\u00edvel no dia 18\/02\/2022, a partir das 19h. O acesso poder\u00e1 ser feito pelo endere\u00e7o: <b><a href=\"https:\/\/www.eba.ufmg.br\/novo-labirintogaleriavirtual\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.eba.ufmg.br\/novo-labirintogaleriavirtual\/<\/a>\u00a0<\/b><\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">Esperamos a visita de todes, com a presen\u00e7a no encontro virtual que marcamos para celebrar este momento. Nesta sexta-feira, dia 18\/02 \u00e0s 19h, pelo link:\u00a0<b><a href=\"https:\/\/bityli.com\/TIgDE\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/bityli.com\/TIgDE<\/a>\u00a0<\/b><\/div>\n<div dir=\"auto\"><\/div>\n<div dir=\"auto\">\n<div>* A Labirinto foi criada durante o per\u00edodo de pandemia e atividades remotas como um espa\u00e7o de exposi\u00e7\u00e3o, divulga\u00e7\u00e3o, comunica\u00e7\u00e3o e mem\u00f3ria das cria\u00e7\u00f5es de alunos\/as e professores\/as do Curso de Artes Visuais. Seguimos confiantes no potencial desta iniciativa e felizes em poder partilhar mais uma exposi\u00e7\u00e3o com toda a comunidade da Escola de Belas Artes.<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Falar em vizinhan\u00e7as \u00e9 pensar em um sentimento de comunidade \u2013 como \u00e9 a Escola de Belas Artes da UFMG \u2013 na qual as rela\u00e7\u00f5es abarcam proximidade, familiaridade, mas tamb\u00e9m diferen\u00e7a. Isso se traduz no t\u00edtulo \u2013 Entrevizinhan\u00e7as \u2013, um<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4411","post","type-post","status-publish","format-standard","hentry","category-sem-categoria"],"_links":{"self":[{"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/posts\/4411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/comments?post=4411"}],"version-history":[{"count":0,"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/posts\/4411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/media?parent=4411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/categories?post=4411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.eba.ufmg.br\/index.php\/wp-json\/wp\/v2\/tags?post=4411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}